About Stephen Hall

A Journey in Ceramics

From an early point, the world of materials and creative expression captivated me. My journey with ceramics began in a foundational art course, where I explored various forms of mixed media. Whatever material or medium at hand, I found myself drawn to the ceramic studio. The pull of clay, its tactile nature, and the transformative process it undergoes in skilled hands became a fascination that overshadowed my initial interests in drawing and technical illustration. I was torn between the precision of graphic art and the organic nature of ceramics, but ultimately, ceramics became my passion.

This led me to further my education in the field. After completing my foundation, I applied and was accepted into a diploma course in ceramics at Derby Lonsdale College of Higher Education. This course was studio-based, providing an immersive environment where we honed our skills on the potter’s wheel, learned the intricacies of ceramic techniques, and tested the art of firing kilns. It was a rigorous three-year program, and I am proud to say that I completed it with distinction, earning a college diploma that marked the beginning of my professional journey as a ceramicist.

For me, the act of making pots is not merely a craft but a powerful form of expression. While one can learn techniques and skills, what you create with a ball of clay transcends the mechanical — it is a deeply personal process, infused with heart and soul. The art of pottery is ancient, stretching back thousands of years, and this history enriches every piece I create. There is a profound sense of connection to the past in shaping something that might endure for millennia.

Ceramics, to me, are meant to be tactile — an art form that communicates through its physical presence. It engages not only the eyes but also the hands, inviting interaction. The weight, volume, and texture of a piece are integral to its meaning. When people handle my pots, they are engaging with the information I’ve embedded within them, deciphering the techniques I used, and appreciating the subtleties of form and finish. It’s not just about the appearance but about the story each piece tells — a story that is as technical as it is artistic.

In every piece, there is a reason behind the design, a purpose to the shape and feel. Ceramics is an art form that, while steeped in tradition, offers endless possibilities for innovation and personal expression. It is this balance of history and creativity that keeps me passionate about my work, and I am excited to continue exploring the depths of this timeless craft.

Ceramic sound interactions, Seasalter